drama
Alex Lines reports from MIFF 2020 with three films: Last and First Men, Anne at 13,000 FT, and Dark City Beneath the Beat.
As one of two films representing Iran in the 77th Venice Film Festival, Ahmad Bahrami’s The Wasteland wrestles with themes of class and race.
Mambo Italiano is a comedy so broad and uncommitted it doesn’t know what to do with itself, leaving much to be desired.
The Social Dilemma is a deeply compelling treatise on why we’re so addicted to our devices while arguing the crucial need for change.
While frequently animated and wry, Words on Bathroom Walls persists on being realistic with its portrayal of schizophrenia.
Entwined, from director Minos Nikolakakis, succeeds in its story, a slow burn that is hypnotizing, peeking the interest of its viewers.
While Lucifer season 5 suffers from its fair share of shortcomings, the series remains entertaining and engaging.
Yankee won’t be a film that pleases everyone, but its flaws don’t necessarily tarnish what is an otherwise solid effort from a budding filmmaker.
Away is clearly built to inspire, a sense of inspiration feels even stronger and more emotional by the time you arrive at the finish line.
Cetigrade is a chilly thriller that never turns up the heat, leaving the audience with little reason to chill with the imperiled couple.
With stunning technical work, solid performances and intriguing examination of parenthood, Raised by Wolves is enough to hook you in every episode.
MUBI is currently hosting a mini-retrospective highlighting four of her features, including A Woman’s Revenge (2012) and The Portuguese Woman (2018).
Alex Lines had the chance to talk with directors Bill and Turner Ross for their film Bloody Nose, Empty Pockets.
At the end of the day, Plan B is a sweet little story that turns a familiar plot on its head in a positive way.
As we struggle to come to terms with the sins of our country’s past and present, Cut Throat City helps us to better see the sickness within our society.