drama
Repossession bites off more than it can chew, but it’s a scrappy film nonetheless that provides enough thrills to satisfy a horror fanatic.
While Sno Babies has its flaws, it does drive home hard the messages of addiction – it is dark, it is ugly and it is hard.
While maybe too placid for some, those who allow themselves to sit back and absorb The Calming’s tranquil journey will be richly rewarded.
While it had the potential to have been an interesting film, Say Yes is hampered down by heavy-handed plot contrivances.
The individual pieces of 180° Rule can be quite accomplished, but the film simply isn’t able to capitalize on the sum of its own parts.
For the stunning animation alone, it is worth watching, but don’t be surprised if you find yourself drowning in the film’s strange, surreal story.
From the Sarajevo Film Festival, Monique Vigneault spoke with director Martin Turk about his film Don’t Forget to Breath.
Film Inquiry’s Amanda Mazzillo takes a look back at the memorable career and essential films of actor Jim Carrey.
A snapshot of malaise that goes on far too long, the movie soaks in mood when it should have floated through it.
Ratched returns Murphy to his deliciously horrific TV roots, bringing the origin of an iconic character to life for a new generation.
Limbo is nothing short of sublime, a triumphant feat of storytelling as striking in its visuals as it is in its writing.
A perfectly timed film that corresponds intimately to the social issues we are living through, One Night In Miami is one to watch.
Wilson Kwong spoke with Madeleine Sims-Fewer and Dusty Mancinelli about their creative process in bringing such an important story to the big screen.
The COVID-19 documentary 76 Days is urgent and wrenching, unbashful in its presentation of tragedy and confusion.
The Devil All The Time balances each story, giving it is time to flourish and each character’s contribution to the others to be fully realized.