drama
With both leads shining bright, Cicada is altered, and elevated, by an undercurrent of trauma that haunts its central pair.
Rebecca is not a bad or dull film, but it squanders the immense potential for something vital and thrilling in du Maurier’s tale.
Mainstream hardly qualifies as a satisfactory, much less intelligent response to the media-saturated simulacra it lounges very comfortably within.
The Guernsey Literary and Potato Peel Pie Society is a story about stories, why we share and retell them, and why we adapt them.
If you’re looking to wallow in despair, rather than escape it, then Damnation is the film for you.
Vinterberg’s film goes to higher highs and lower lows than expected, proving both heart-achingly sad and outrageously joyous.
Any way you choose to interpret it, Nomadland flourishes under the direction of Zhao, and bolstered by a brilliant performance from McDormand.
Jennifer Sheridan talks to Film Inquiry about directing her scriptwriter, working in the snow, and designing a vampire.
Hannibal Rising poses the question about what kinds of monsters we make of ourselves by settling for the aesthetics of political virtue.
Despite its lack of focus and structural issues, there is much to merit in Radium Girls.
Bizzarre and eccentric, Kajillionaire is a tender and moving story about love and our needs for connection.
While Synchronic is not the deep and pensive film it attempts to be, it is still an enjoyable film that will entertain.
While it boasts gorgeous cinematography and framing, American Thief fails to find cohesion in its message and in its narrative.
Definition Please allows viewers to transcend the boundaries of culture and see themselves in the characters and in their emotions.
Lapsis is topical, revolutionary, and maddening, encouraging viewers to think critically about the economic systems that govern their lives.