drama
Kristy Strouse shares her third report from the 2021 Toronto International Film Festival with reviews for The Mad Women’s Ball, Out of Sync & I’m Your Man.
With Kristy Strouse’s next report she covers Silent Land, Encounter and Dug Dug!
Denis Villeneuve brings Frank Herbert’s Dune – the best-selling science fiction novel of all time – to the silver screen.
In the latest report from TIFF 2021, Wilson Kwong reviews the unique biopics films Spencer and The Eyes of Tammy Faye.
Kristy Strouse shares her first report with three films from Toronto International Film Festival, all female and directorial debuts.
In the latest report from TIFF 2021, Wilson Kwong looks at solid examples of creative storytelling with All My Puny Sorrows and Kicking Blood.
Despite a rather disappointing third act, Last Night in Soho still manages to be an engaging cinematic experience thanks to its impressive technical and performative entities.
Queerly Ever After #60 focuses on Baldvin Zophoníasson’s Icelandic film Jitters, a teen drama filled with first crushes and tragic events.
The Wheel, Steve Pink’s latest directorial venture, sees him zeroing in on a young couple and their messy, crumbling marriage.
Céline Sciamma’s Petite Maman follows a young girl exploring her mother’s childhood home and finding another girl in the surrounding woods.
The debut feature from Swiss filmmaker Andreas Fontana, Azor is a sophisticated and sinister thriller suffused with a lasting feeling of unease.
Rafaela Sales Ross’ coverage of the 2021 Venice Film Festival commences with a look at Harry Wootliff’s True Things.
American Sausage Standoff is a with a memorable visual style and strong performances, but the humor never takes centerstage.
A lo-fi narrative film that often feels like a documentary with its rambling dialogue and roving camera, Anne at 13,000 Ft soars.
Nadia, Butterfly showcases a humanism that hits at the quiet and unsensational moments of an athlete’s life and career coming to a halt.