drama
Film Inquiry spoke with Darlene Naponse director of the TIFF22 film Stellar!
While both Causeway and Aftersun are first time features by a promising young filmmaker steeped in examining our past sorrows, both do so in different ways.
Even if you can predict where the narrative goes, there is no denying that The Inspection carries a powerful story with an emerging voice of talent.
Big stars giving wacky performances in a Mediterranean locale is essentially all one needs to know about Glass Onion.
While the North of Normal and Victim both revolve around motherhood, its central protagonists could not be any more different from one another.
In the first report from the 2022 Toronto Film Festival, Soham Gadre reviewed Triangle of Sadness, Pacification and De Humani Corporis Fabrica!
Flexing his filmmaking prowess here, Clement Virgo’s Brother is a striking example of narrative storytelling that reaches a high emotional altitude.
Thriving upon Amalric’s sophisticated storytelling and Krieps’ propulsive performance, Hold Me Tight may be too formally ambitious for some.
In our first report from the Melbourne Film Festival, Sean Fallon reviews Saloum, Dual, Shadow, The Integrity of Joseph Chambers and The Pez Outlaw!
Luca Guadagnino’s Bones and All is a monumental statement on the beautiful powers of love bolstered by great performances.
From Venice FF, Princess and Banu are feature film efforts with strong female protagonists, both of whom are fighting very different battles in life.
It’s hard not to muse over whether any other performer this year can top what Cate Blanchett does in Todd Field’s Tár.
It’s hard to imagine Noah Baumbach making a film about an apocalypse, yet this enigma-raveled concept perfectly encapsulates White Noise.
Purple Hearts stands as a viable romance venture that is sure to pull at your heartstrings while delivering a platform of conversation for modern struggles.
Look Both Ways was a pleasant surprise. And while its final messaging is predictable, it does not miss on its delivery.