drama
The London Film Festival is back for another year and our first despatch covers a military coup and, just maybe, one of the great scenes I’ve ever seen.
Strong performances, solid direction and a viscerally emotional story keep Next Sohee on the right side of melodrama.
In our first report from the 2022 Heartland International FilmFestival we give you a taste of the festival!
From NYFF, Lee Jutton reviews A Couple and Showing Up, the latest films from Frederick Wiseman and Kelly Reichardt.
From pensive and meditative to egotistically powerful, Todd Field’s Tár is a film for the senses.
Marie Kreutzer’s new cinematic depiction of the life of the Empress, Corsage, is a punk rock rebel yell: angry, energetic, and intensely enjoyable.
While it doesn’t reinvent the wheel, To Leslie is anchored by an incredible performance from Andrea Riseborough and confident direction of Michael Morris.
At times a deeply moving portrait of our treatment of animals, while other times a sense of existential realism, EO proves itself to be full of heart.
With an awareness of its own ideas on self preservation and survival, Piggy excels.
Sick of Myself is a deranged and delightfully cynical work of art that proves attention-seeking for the sake of fame always comes at a much higher cost.
Blonde has and will continue to infuriate audiences, yet is a film that can be studied for not only the continued dominating male gaze, but for the need of women to tell women’s stories.
While most are probably familiar with The Square & Force Majeure, his most provocative, and ingenious work was his overlooked 2011 film Play.
The Justice of Bunny King presents audiences with a mesmerizing character study on the undeterred spirit of motherhood.
Film Inquiry spoke with star Zar Amir Ebrahimi and writer/director Ali Abbasi for Holy Spider, a compelling crime thriller from this year’s TIFF!