drama
Frank Vs. God delivers a solid thought provoking film about a man who loses everything and fights against the term “act of good”.
Julie Dash’s 1991 debut still feels like an eye opening experience when viewed over 25 years later- you need to let it in to your life.
The excellent performances by Weisz and Claflin sadly don’t make up for the fact My Cousin Rachel is boring to the point of tedium.
Moka is a French slow burning drama that occasionally conjures some suspense, which makes it fascinating in its own way.
The Book of Henry is strange from its outset, and its lack of redeeming characters or strong emotional moments doesn’t much help matters.
Lars von Trier has become infamous for his unabashedly grim and provocative works, yet he is a distinctive and brilliant director as well.
Well told, The Journey is an examination of the political relationship between Martin McGuinness and DUP Retiree Reverand Ian Paisley.
Australian director Peter Weir is known for his outsider characters triumphing over adversity; here is a rundown of his most famous films.
While the filmmaking ambition of this low budget production can’t be faulted, What Waits In The Red feels overly familiar and somewhat cliched.
Megan Leavey’s delivers a good story, almost making up for its lack of focus and unwillingness to commit to its main storyline.
Elliott Lester had juicy, absorbing material to work with. Unfortunately, he turns Aftermath into an underwhelming and empty endeavor.
Maudie works due to the central performance by Sally Hawkins, though the troubled relationship portrayed is occasionally too downtrodden.
Though with a fine, understated performance by Marilyn Manson, Let Me Make You a Martyr is too unrelentingly dark and dull to recommend.
Kurt Russell has charmed audiences through the years in a variety of films, from Disney to science fiction to more recent blockbusters.
We had a chance to talk with Johnny O’Reilly, director of the upcoming drama Moscow Never Sleeps, a film that’s very politically relevant.