drama
Brigsby Bear isn’t only for the dreamers, it’s for anyone who ever stalled at pursuing a something dear to them for fear of failing.
Amnesia follows Jo and Martha, who have come to the island of Ibiza for different reasons, and form an unlikely but heartwarming friendship.
Pariah is essential in the African American LGBTQ artistic and cinematic canon, as well as an achievement in cinematic storytelling.
Marjorie Prime is a subtly effective and wondrous glance at the potential ramifications of the future of artificial intelligence technology.
We’re addressing what other people are saying about Okja – in particular, its most common criticisms, and why they’re wrong.
Hampstead offers nothing new in its tired-out genre, serving up uninspired writing and bland direction against a British backdrop.
Dark Blue Girl is a cautionary tale for parenthood that reminds us that no one has control over who their child will become.
Devoid of any subtlety and bereft of a strong plot, the fact that a film so reductive as Blind was made this recently is quite shocking.
With poorly constructed flaws, Churchill isn’t an overly powerful reinvention of the traditional biopic film.
The feminist undertones, stunning performances,cinematography and costuming more than make up for The Beguiled’s shallow story line.
We have the Academy to thank for bringing this warmly humorous Swedish gem to our attention – it’s one of the year’s most likeable films.
In our latest entry of The Nominated Film You May Have Missed series, we discuss the 2005 political drama Good Night, and Good Luck.
It’s rare that a film will come along and synthesize the era we live in so succinctly as Miguel Arteta’s Beatriz At Dinner.
As given by its name, A Ghost Story is a supernatural tale, yet it touches on themes of love and grief in a uniquely beautiful way.
There’s a way, many ways, actually, to make a satisfying film about a lighthearted romp, but Paris Can Wait never finds any of these paths.