drama
What Will People Say is a brutal yet powerful study of the effects of subjugation on a young woman in a highly patriarchal society.
Cardinals is a tense and subtly effective thriller set in small-town Canada, bolstered by strong performances and complex themes.
It’s abundantly clear that Year By The Sea is composer Alexander Janko’s directorial debut, as its characters are underdeveloped and predictable plot-lines are lost amidst the beautiful scenery of Cape Cod.
Is This Now is a perplexingly bad movie, rife with awkward tonal shifts, poor camerawork, unbelievable acting, and a very unfitting ending.
Despite a winning performance from Lola Kirke, it looks like Fallen’s destiny is to be assigned to the scrapheap of YA movie history.
Nina Gielen’s supernatural drama Arts & Crafts is gaining attention on Seed & Spark. She talked to Film Inquiry about the film’s creation.
In our latest entry of The Nominated Film You May Have Missed series, we discuss the 1998 War drama Saving Private Ryan.
God’s Own Country, a unique coming out story, is an amazing directorial debut for Francis Lee despite some minor, forgivable missteps.
Coogan and Brydon bare their truest selves in The Trip To Spain, resulting in an emotional and bitingly honest chord that rings mellifluous with the viewer.
Lightningface is a 20 minute short film starring Oscar Isaac as his life changes drastically after being struck by lightning.
Final Portrait is filled with acute vigor, seamlessly-interwoven humor, impeccable historical accuracy, and superb acting that combine for another Tucci gem.
Lady Macbeth pokes at the romanticized perspective of Victorian-set films, becoming more akin to a macabre neo-noir.
Mary Louise Parker is a versatile actor who has found success on stage, TV and in films; here is a rundown of her career so far.
A Father’s Day is a short film told about an estranged pair of father-daughter zombies, and it is surprisingly effective.
SHOT CALLER: A Terrifyingly Accurate Castigation Of White Supremacy
What Shot Caller lacks for, narratively, it makes up for in its complex character study guised as a prison drama, expertly exposing human nature’s animalism.