drama
England Is Mine is a blend of fact and fiction, delving into the early life of The Smiths frontman Steven Morrissey.
Pilgrimage is rife with metaphors connecting the Dark Ages with contemporary issues, making us wonder if we’ve advanced as much as we think.
A Boy Called Po lacks a realistic exploration of autism, falling into common tropes surrounding the depiction of autism in Hollywood films.
6 Days is a mostly well-made film based on true events, but its similarity to our current political climate makes it an uncomfortable watch.
As a coming-of-age tale, Liza, Liza, Skies Are Grey is inoffensive, as a reminiscence of the Cold War years, it’s inert, as a whole it’s completely inconsequential.
We were able to sit down and talk with Francis Lee, director of the acclaimed upcoming British drama God’s Own Country.
Chronically Metropolitan is a quirky romantic indie about life in New York City; though not perfect, it’s reasonably enjoyable.
Ying & Yang is empowering and heartbreaking, giving a window into the messed up mind of a man deciding his own fate.
The Passion of Augustine offers glimpses into life before womanhood sets in and all the growing pains that come with this journey.
Matt Keeslar is a lesser-known actor that nonetheless gave some fine performances across many different genres.
Home is an unapologetic look at the limited options available for Kosovo women and the oppression of its patriarchy.
Australia Day is a Crash-style drama that contrasts 3 different minorities facing persecution and racism on the backdrop of Australia Day.
When Pilgrimage learns what kind of film it’s trying to be, it’ll give you everything you’ve wanted from it – and maybe more.
A wonderful debut from essayist Kogonada, Columbus is as much about slowing down and taking stock of your life as it is a slow burn in itself.
Gook is an irresistible film that manages to breathe new life into a narrative set within the confines of this particular historical setting.