drama
The Pirates of Somalia is a fantastic adaptation of its non-fiction source material, including a commendable performance from Evan Peters.
Roman J. Israel, Esq. may be disappointing after Gilroy’s Nightcrawler, yet it still has a few positives, such as Washington’s performance.
Call Me by Your Name shines for its potency and lyricism, delving with an effortless thrall into the lives of two men who are forever changed.
We were able to talk with Victoria Negri, director of the drama Gold Star starring Robert Vaughn and Catherine Curtin.
With verisimilitude, outstanding acting from its central and supporting cast, and sentient multifaceted perspectives, Wonder succeeds.
The Post is less than the sum of its parts; an effectively directed and acted film, but its most dramatic story is left in the margins.
Ekaj captures the reality of LBGTQ youth that find themselves discarded by life. When their…
The Only Living Boy in New York is a competently directed film pulled down by a mediocre script and relying too heavily on melodrama.
Chilean film Chameleon depicts horrific sexual abuse of women, and doesn’t do enough to redeem itself; it is nothing but exploitative.
Paul Verhoeven is a distinguished director in the cinematic world of the past few decades; here is a rundown of his career.
Princess Cyd is a low-key marvel; a warm-hearted examination of the ways that we relate to one another whilst dealing with our differences.
Crooked House was one of Agatha Christie’s best novels- so it’s a treat to finally see this subversive work translated to the big screen.
Happy End is a disappointing effort by Michael Haneke, displaying almost none of his visual appeal, prominent themes, or strong performances.
With a weak and unfocused plot, Todd Haynes’s Wonderstruck feels like a love letter that isn’t quite sure who it’s addressing.
Wonder may have all the trappings of passable family-friendly fare, but it is jumbled, unfocused, and far too unbelievably sappy.