drama
With the upcoming likelihood of an Oscar for Darkest Hour, we look back at Gary Oldman’s over three decade long memorable career.
The Post will likely be overlooked at this year’s Oscars, but with its historical depiction of the fight for the press and democracy, as well as its similarities to present day, it is still worth watching.
With its shallowness of character and its failed continuity of plot, Queen of the Desert is a film made as if to remind us of why we call films ‘pictures’, since the only good thing about the film is its mise-en-scenes.
Oh Lucy! is an inventive and poignant story that’s remarkably relatable, touching on loneliness and the sometimes outrageous lengths one will go to to escape the world and discover one’s own happiness.
The Music Of Silence lacks emotional weight, developed characters, a coherent linear story, and sufficient enough acting to make a passable biopic of a living legend.
Bomb City makes an impassioned statement in a sometimes messy way, but the energy it gives off is far more effective than any staid, overly safe version of this story could ever be.
Sebastian, the directorial debut of James Fanizza is a heartfelt and honest portrayal of the small moments that lead towards falling in love.
The Cured is a fantastic zombie film with intelligent writing, precision direction, top-tier acting, and sincere sociopolitical themes and parallels that are essential in elevating horror films to something greater than just scares and gore.
What Sanctuary shows is that a film can come from humble beginnings and a small budget but can have a big outcome on society. It also shows that film should and can be ready to show more diverse stories from the people who have experienced it and who still experience it.
Jennifer Lawrence is an actress with many memorable roles through the years; here is a rundown of some of her very best.
We were able to talk with Neville Pierce, film journalist turned filmmaker, director of the short films Lock In, Ghosted, and Bricks.
We look back to the 2006 Academy Awards when Brokeback Mountain, a groundbreaking film about two homosexual cowboys, was snubbed for Best Picture in potentially the most controversial decision in Oscar history.
Dark River feels more like a transitional gateway to better films, bridging the gap between Clio Barnard’ older social realist efforts and flirtations with experimental works likely to come.
Quinn Shephard’s Blame is an admirable debut feature, utilizing the framework of The Crucible to delve into themes of adolescent angst, social politics, and high school drama.
Clint Eastwood’s The 15:17 to Paris has been largely trashed by critics. However, the director’s latest film is one of the most formalistically radical films to emerge in recent memory.