drama
We spoke with Anders Walter about the making of I Kill Giants, what draws him to the intersection of fantasy and death in storytelling, directing a phenomenal, female-led cast, and what he’s looking forward to in his career.
Midnighters doesn’t ask too much from the audience. Respectfully, it knows what it is: a popcorn thriller with style and a bit of substance, enjoyable for anyone who likes a thriller in the Hitchc*ckian vein.
Red Sparrow is solidly engaging, a blistering and intense film with Jennifer Lawrence’s skill and Francis Lawrence’s well-crafted atmosphere.
Lead by a powerhouse cast and brilliant directorial debut, Allure challenges and leaves a significant trail of destruction in its wake.
In a move that stands out, Love, Simon is being pushed as an out and proud LGBTQ…
Koreeda Hirokazu’s intimate family drama After the Storm captures a side of Tokyo rarely seen in cinema, as well as beautifully depicting a turbulent familial relationship with glimmering hope.
Despite a hopeful change of pace for Jim Carrey, Dark Crimes doesn’t deliver, suffering from choppy editing, a lack of dynamic characters, and a generic murder mystery story.
![Were you familiar with Mary Magdalene before you read the script? Garth Davis: Not in a deep, detailed way, but in the movies I have seen before and in the way everyone kind of understands. When I read this it was a completely different version, so that got me curious. I started to investigate it in a deeper way and found it astonishing it has taken us so long to put that story out there in a more popular light. Extraordinary really. It was definitely different than the story I grew up reading in the bible. I remember when the Passion of the Christ came out, an actor got struck by lightening during shooting. Anything like that happen on set for you? Garth Davis: There were a couple of pretty amazing moments. When we were shooting the scene of the exorcism, where the family was exorcising Mary in the Sea of Galilee, just before we were about to walk into the water the wind just completely stopped. Completely still, almost on cue, right? Then suddenly lightening appeared all over the ocean. It was unbelievable! So much so, that when shooting the scene I had to paint it out. It just felt like a trope, you know? People would have thought it was a visual effect. [laughs] Wow!Garth Davis: The other one was during a scene on the beach of Magdala. I did a drawing of the location and I wanted to add some smoke in the background. So we went down to the Recee, and as I was standing there, smoke emerged exactly where I was drawing it (laughs). It was one of those moments where you have to ask if something was guiding us in some way.](https://www.filminquiry.com/wp-content/uploads/2018/03/MV5BNDc5ODE4OTQxNl5BMl5BanBnXkFtZTgwODEzOTcyNDM_V1_SY1000_CR0014991000_AL_.jpg)
Garth Davis proves once again his skills behind the camera can help uplift middlebrow material, but only to a certain extent, Mary Magdalene significantly undercut by the increased familiarity and conventional storytelling.
You can’t fault EVERY DAY for a lack of ambition – however, the film feels watered down by a breezy running time that doesn’t allow for a deeper exploration of the body swap conceit.
Beast of Burden is a schlocky B-movie and, in some ways, that’s okay. Daniel Radcliffe exceeds expectations in Beast of Burden, a crime thriller that’s as hackneyed as one can be.
Loaded with a star-studded cast, Nostalgia is an emotional trip down memory lane. It’s a poetic, yet melancholy look into the transitions of life and how it affects those around us.
With many facets within her career from the filmography, to her love life, to her untimely death, there’s no question that Natalie Wood deserves to be eulogized as a formidable actress and a caring human being. Here is a rundown of some of her very best.
Despite some real imaginative sequences, which are illuminated by excellent production design and great costume choices, See You Up There’s lacklustre style isn’t consistent, never quite reaching the heights that the absurd tale requires.
We delve into the works of Carl Theodor Dreyer, the Danish director that is behind some of the greatest masterpieces in cinema, among them Vampyr, Gertrud and The Passion of Joan of Arc.
Aimed squarely at Christian audiences looking for inspirational family entertainment, Samson is a preachy and plodding drama that’s light on excitement, action or any real sense of spirituality.