drama
This series comes back for a season two with an entertaining entry that shows an improvement over the first both in writing and performances.
Asteroid City is stylistically undifferentiated from most of Anderson’s recent output but it does take the audience behind the curtain.
The Stranger has many surprises and very clever narrative journeys, managing to build an atmosphere of suspense with very few and wisely used resources.
From Fantastic Mr. Fox to The French Dispatch, something strange and different happens every time and Asteroid City is no different.
Fresh Kills is a uniquely compelling piece of work in the pantheon of gangster movies, grounded by powerful performances and a stellar directorial debut.
Human Flowers of Flesh is just as enticing for anyone who has or hasn’t seen Beau Travail.
A cathartically devastating film, Our Son reaches deep into the wells of emotion.
Revoir Paris is not an easy film to watch, but the emotional journey is a gratifying one.
In our latest review from the Tribeca Film Festival, One Night with Adela may be a bumpy ride, but it’s a wild one.
Film Inquiry spoke with Ted Lasso’s musical supervisor Tony Von Pervieux about his work on the show and its latest season.
The Line is a well-oiled stress machine with its depiction of this pervasive, casually cruel facet of college life.
Making a good double feature, Payton McCarty-Simas reviews He Went That Way and Dead Girls Dancing!
Fantastical yet relatable, Bucky Fucking Dent is a moving debut by David Duchovny.
In her first report from Tribeca Film Festival 2023, Kristy Strouse reviews Laroy, Chasing Chasing Amy & The Graduates!
With Catching Dust, Stuart Gatt crafts a narrative tale around the explosive power of human emotion.