drama
Prey offers an excellent example of less being more, especially in a series long known for its over-the-top dialogue and gory violence.
The Mire was a fantastic, tense ride that doesn’t rely on action set-pieces or flashy effects to draw your attention.
Few filmmakers can say they’ve made a movie as fun, free, and ultimately bittersweet as Tokyo Pop.
Perfectly Good Moment is a difficult-to-watch and captivating thriller.
For better or for worse, Haunted Mansion makes for a fun spooky night on Disney+ for the family.
The Sea Prince and the Fire Child is a classic waiting to be discovered.
A snapshot of small-town ennui with a hefty splash of neon-tinted noir, Streetwise has an intoxicating atmosphere.
Surfer: Teen Confronts Fear is both unique in the canon of midnight movies and reaffirms what makes each of them wonderful.
Barbie is the ultimate summer movie for having as much wit and wisdom as it does charm, silliness, and an abundance of pink.
In this report from NYAFF, Lee Jutton takes a look at Mountain Onion, Nomad and Mountain Woman!
Bad Girl Boogey may not be a great film but it has the ambition and heart to pursue a whole new lore.
The NY Asian Film Festival provides movie lovers in the tri-state area with a great opportunity to see films across a wide range of genres.
Fueled by brilliant performances and Petzold’s typically masterful storytelling, Afire will continue to smolder in the depths of your mind.
Wilson Kwong dives into two films that are interesting examples of dramatic French cinema with clear commercial appeal.
The Truman Show manages to be inspiring and disturbing simultaneously, a symbiosis that is rarely seen.