We spoke with Denise Gough, who stars opposite Keira Knightley in Colette, about her gender defying character, and how she hopes it begins some positive change.
Carried by a flair for dramatic visual and a remarkable lead performance from Mulubwa, I Am Not a Witch is a fierce and undeniably feminist film unlike anything else in cinemas this year.
In anticipation of its induction into the Criterion Collection, we look back on A Story From Chikamatsu, a film with with a sharp focus on the social phenomenons of 18th century Japan.
The Wife is a middlebrow bore, a domestic drama with an intriguing concept that’s made easily forgettable due to the middle of the road direction from Bjorn Runge.
Ozark’s sophomore season lives up to both critic and viewer expectations with a complex web of storylines and characters intricately placed to be the visual chess board TV has been waiting for.
The Answer isn’t a film about toxic masculinity – it challenges the masculine status quo and offers a refreshing look into the men grappling against it.
Replete with unnatural dialogue and emotionally manipulative plot developments, Bel Canto may well go down in cinematic history as the most boring hostage drama of all time.