drama
After nine seasons, we say goodbye to one of the Gallaghers in what is easily the best episode of this season of Shameless thus far.
Roma is a film that improves with each passing minute; even though occasionally underwhelming, the longer it lingers in your mind, the more of an impact it will have.
Green Book is cinematic comfort food, equipped with witty performances and the aura of social importance, yet undistinguishable from the tons of other polite Oscar dramas that came before it.
Though easily levelling with The Wonders in terms of visual quality, the lack of investment leaves Happy as Lazzaro a rather transitory collection of charming anecdotes.
Disquieting and deeply moving, Sadie takes its story to extreme lengths while still feeling utterly grounded in the emotional reality of its characters.
Avoiding the classic cliches of a grieving teenager, Nick Naveda’s debut Say You Will will pleasantly surprise any movie lover, perfectly capturing the feeling of loss and romantic confusion.
Black ’47 isn’t a perfect film – the shaky characterisation prevents the emotional undercurrents from truly picking up speed. Regardless, it’s a fantastically captivating historical epic.
Another decent episode of How To Get Away With Murder, “Whose Blood Is That?” continues to build a solid fifth season but it’s yet to match the series’ highs we’ve seen before.
Director Yorgos Lanthimos’ latest is his first truly empathetic character study, aided by three powerhouse performances from Colman, Weisz and Stone.
Little Women will cater to a specific demographic of viewers who are not picky when it comes to the movies they watch, passing off Lifetime and Hallmark movies as good times.
Jodie Whittaker makes her debut in the first episode of Doctor Who’s 11th season, and she is a force of nature, continuing the Doctor’s quest to protect the Earth from outside attackers and invasions.
Monsters and Men is beautifully directed, but it lacks focus, as its choppy and undeveloped structure soon distracts from the matter at hand.
There has never been a film that so thoroughly captures the excitement and danger of space travel as First Man, capturing that intoxicating mix of euphoria and terror of the 1969 Apollo 11 Moon landing.
Private Life is a beautifully crafted study of two people who struggle to relinquish their desire to control and plan every element of their life.
For all its faults, U – July 22 attempts to throw the viewer into an unimaginable situation instead of passively retelling it is worth celebrating, even if it doesn’t fully achieve its immersive aim.