drama
While Perfect Days is minimalistic and quiet, almost to a fault, Les Indésirables is a bombastic cinematic experience.
Love At First Sight does retain a predictable nature, but by the film’s end, you will want the predictability.
In our latest from the 2023 Toronto International Film Festival, Kristy Strouse reviews Irena’s Vow, Days of Happiness and Holiday!
For the 2023 Toronto International Film Festival, Wilson Kong reviews Craig Gillespie’s Dumb Money and Margreth Olin’s Songs of Earth.
Helgeland writes and directs Finestkind with all the right intentions, but it ultimately feels shallow.
Korean Cinema’s Golden Decade: The 1960s brings together an eclectic assortment of films covering many genres, directors, and performers.
Both P.P. Rider and Typhoon Club showcase many aspects of Somai’s signature style, Lee Jutton takes a look at both.
There’s a lot of hard work under the hood of Gran Turismo that narrowly crosses the finish line of a compelling racing film.
While Haunting of the Queen Mary may struggle to find its sea legs, it culminates into an epic voyage of terror and twists.
While thus far, I have delivered my thoughts in the showcases, in my last report, there’s a little bit of everything.
For fans of epic films, particularly the 1956 remake of this one, the 1923 version is worth a watch.
Before, Now & Then is a film that dares to ask this question and forces us to wrestle with the painful truth at the core of the answer.
I Like Movies manages to strum all the right cords in a truly unique celebration of cinema itself.
Madeleine Collins proves that Virginie Efira belongs to that elite tier of actresses capable of elevating even the most mediocre material.
While nowhere near as successful as the Conjuring franchise in popularity or quality, The Haunting in Connecticut proves itself entertaining.