drama
Lost Child has an unquestionably compelling foundation, but it becomes too drenched in its own sentimental messaging.
For a director obsessed with the decadence of Italy’s most powerful, Loro feels like the film Paolo Sorrentino was born to make.
Red Joan is suffocatingly mediocre, a political thriller with no interest in the politics of the story, or anything remotely thrilling.
After almost two years, Game of Thrones is finally back for its final season. The 1st episode was marked by family reunions and reveals that change everything.
Three episodes in and the new Twilight Zone has been way too blatant so far, hopefully the remaining episodes aren’t as predictable.
The Burial of Kojo is an aesthetically accomplished debut for Sam Blitz Bazawule, but the narrative itself is far from perfect.
Asher Luberto spoke with Mary Magdalene director Garth Davis about the film’s timeliness, influences, and the honest-to-God miracles that took place on set.
With how scattered and spotty the show has been this season, American Gods wants to say something important, and I hope it finds what it truly wants to say soon.
The OA Part II was better than one could have ever imagined, its ingenuity and trust in its audience, coupled by the brilliant execution of its power duo, brought the series to new heights.
Marisol is an eye opening experience for the viewer, its intensity and visual representations resonating long after the short has ended.
Though with a premise that sounds intriguing, William is a curio taken in entirely the wrong direction.
Nemes’ masterpiece Sunset ruminates on the cyclical ignorance of humanity to blistering effect, eliding our past faults, our present negligence and our future turmoil.
Jessie Buckley is a star, and the fact she makes Wild Rose almost worth watching is testament to her skill as an actress.
Meme can be a brilliant thriller when it wants to be, but there is a heck of a lot of philosophising bridging those tenser moments.
Kent Jones’ Diane struggles to define itself as something more than an average, albeit thoughtful, indie film.