Domhnall Gleeson

Toronto International Film Festival 2023: ALICE & JACK Is An Embarrassment For The Talent Level Of Its Director And Cast
Toronto International Film Festival 2023: ALICE & JACK Is An Embarrassment For The Talent Level Of Its Director And Cast

Unfortunately, every single second that came before the ending in Alice & Jack was terrible.

THE PATIENT: An Intimate Push And Pull Of Psychopathy
THE PATIENT: An Intimate Push And Pull Of Psychopathy

This is a series that really elevates in its dialogue and writing, but is sold by amazing  performances from Domhnall Gleeson and Steve Carell.

Mental Illness In The Movies: How FRANK Debunks The Myth Of The Tortured Artist

The lesson of Frank is that mental illness is a hindrance, not a gift of inspiration, and romanticising it is a dangerous road to go down.

THE LITTLE STRANGER: Repression Casts An Intriguing Spell
THE LITTLE STRANGER: Repression Casts An Intriguing Spell

The Little Stranger is a demanding but absorbing thriller – it will not spoon feed you scares, and it’s all the better for it.

AMERICAN MADE: A Pale & Painfully Average Imitation
AMERICAN MADE: A Pale & Painfully Average Imitation

Laying blame is a difficult one because nothing is particularly awful in American Made: even the screenplay peppers a handful of decent set pieces and sequences throughout – but there’s nobody on-hand to elevate the picture.

CRASH PAD: A Strange Choice For Domhnall Gleeson
CRASH PAD: A Strange Choice For Domhnall Gleeson

While neither boring or a laugh-riot, Crash Pad is a perfectly fine and forgettable way to pass ninety minutes.

GOODBYE CHRISTOPHER ROBIN: An Eye-Opening Tribute Uncovers Disturbing Facts
GOODBYE CHRISTOPHER ROBIN: An Eye-Opening Tribute Uncovers Disturbing Facts

Goodbye Christopher Robin has some redeeming value to it, but it is ultimately too painful for people who love Winnie the Pooh.

Brooklyn
BROOKLYN: Saoirse Ronan Glows In An Endearing Period Drama

There is a moment about halfway through Brooklyn when Saoirse Ronan’s character is shown as a distant speck in a giant field of green grass, as if lost amongst the lush vegetation. The moment comes soon after she has decided to go visit her mother in Ireland after a loss in the family; though not immediately apparent, it foreshadows her soon-to-come inner conflict, which will make her question where she truly belongs. Such a gorgeous and symbolic shot is representative of much of Brooklyn, which is far deeper than its relatively straightforward subject matter would imply.

The Revenant
THE REVENANT: A Superreal And Raw Film

I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discovered I had not lived. — Walden (Henry David Thoreau) Set in the remote wilderness of Montana and South Dakota in the 1820s, director Alejandro Iñárritu’s biographical western, The Revenant, follows fur trapper Hugh Glass (Leonardo DiCaprio) and his remarkable quest of survival and retribution. Having been mauled by a bear and left for dead, Glass must find a strength and resolve to overcome the elements and fight his way back to civilization while attempting to have a cathartic release from his experiences.

EX MACHINA: A Frightening Depiction of A.I.

In recent years, the subject of artificial intelligence in movies has become more and more prominent, perhaps because our own technology has become increasingly advanced in that direction. It may not be long before we have created our own race of conscious, intelligent beings. Until then, though, it is always fascinating to surmise about the idea.