Dolly Wells

LITTLE ROOM (S1, E1): Piloting a Worthy Cause
LITTLE ROOM (S1E1): Piloting A Worthy Cause – Watch & Support Covid-19 Relief Funds

Hopefully, Little Room can grow beyond a pilot, but in the meantime, it’s a great way to both enjoy new content and support Covid-19 relief funds.

DRACULA: A Dribbling, Messy Monster of a Miniseries
DRACULA: A Dribbling, Messy Monster Of A Miniseries

Despite its modern horror settings, there’s little to sustain anyone who dares dig their teeth into this limp and pale take on the character.

Tribeca 2019: Interview with Director Dolly Wells and Stars Emily Mortimer and Grace Van Patton For GOOD POSTURE
Tribeca 2019: Interview With GOOD POSTURE Director Dolly Wells & Stars Emily Mortimer And Grace Van Patten

We had to opportunity to sit down with the director of Good Posture, Dolly Wells, as well as the film’s leading ladies, Emily Mortimer and Grace Van Patten.

Tribeca 2019: Interview with Director Dolly Wells and Stars Emily Mortimer and Grace Van Patton For GOOD POSTURE
Tribeca Film Festival 2019 Round-Up #4: GEORGETOWN, DREAMLAND, GOOD POSTURE And LOW TIDE

In this round-up of Tribeca Film Festival 2019 reviews, Stephanie Archer reviews four more narrative features.

CAN YOU EVER FORGIVE ME?: Melissa McCarthy's Best Performance Yet
CAN YOU EVER FORGIVE ME?: Melissa McCarthy’s Best Performance Yet

A wry, bittersweet but profoundly affecting cinematic experience, Can You Ever Forgive Me? is an astonishing examination of loneliness and detachment.

45 Years
45 YEARS: Cinema At Its Most Intimate

45 Years is unquestionably well-written and well-acted, to such a high degree that is literally impossible to argue otherwise. To say that Charlotte Rampling and Tom Courtenay give two of the most emotionally effective performances of their long and illustrious careers is equivalent to saying that the sky is blue and the world is round; it is so plainly obvious, arguing in its favour seems like a waste of time, as the greatness is clearly there for all to see. Emotionally engaging from the opening minutes On paper, the film feels like the opposite of director Andrew Haigh’s previous film Weekend; that film was about two men who meet and fall in love over the course of (you guessed it) a weekend, after a one night stand turns into something deeper.