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As Child’s Play would help to close out a decade of slashers, it would open an unyielding franchise that would garner accolades of all ages.
A definite recommend, M3GAN, while more of the same, is far more thoughtful both creatively and narratively than so many of its predecessors.
Despite some great visuals and decent special effects, M3gan is a predictable misfire.
Living with Chucky welcomes newcomers into the fold, encouraging a new generation to embrace the revitalization of Chucky.
Brahms returns in this pointless sequel to The Boy, which starts out with some promise but loses its plot halfway through.
While not as subversive as Holland’s cult classic, Klevberg’s polished Child’s Play is a delightfully vicious ode to its campy origins.
Annabelle Comes Home features great performances from its young cast, but the story is more a miss than a hit. Kevin Lee reviews.
With a multidimensional backcatalog, it’s difficult to pigeon-hole eccentric body horror director Stuart Gordon. We’ve given it our best shot