documentary
Free Puppies! gives a platform to those who need it most, both supporting its subjects and educating its audience.
A Star Without a Star comes off as the epitome of a labor of love many years in the making.
Film Inquiry spoke to writer, director, and historian John Mulholland about his new documentary: Inside High Noon.
If all you want to do is go back in time and see these bands performing when they were at the peak of their powers, then Meet Me in the Bathroom certainly gets the job done.
In our last report from the 2022 Heartland International Film Festival, Emily Wheeler reviews four more films!
All the Beauty and the Bloodshed is one of the most moving and vulnerable documentaries I have had the opportunity to see.
It speaks volumes when a filmmaker can reach its audience, inspiring them to speak out more, and Is That Black Enough For You?!? does just that.
In our first report from the 2022 Heartland International FilmFestival we give you a taste of the festival!
All That Breathes captures the noble effort to save the Black Kites, transforming from a humanitarian venture to a broad-scale look.
For Sidney Poitier novices and acolytes alike, I think there’s much to be appreciated about this timely homage
Living with Chucky welcomes newcomers into the fold, encouraging a new generation to embrace the revitalization of Chucky.
It all started with Brian de Palma’s Carrie, and Stephen King became a household name.
In her first report Kristy Strouse reviews Fixation, Aristotle & Dante Discover the Secrets of the Universe and Patrick and the Whale!
All the Beauty and the Bloodshed is vibrant and incisive as a portrayal of art’s power in both directions.
In the first report from the 2022 Toronto Film Festival, Soham Gadre reviewed Triangle of Sadness, Pacification and De Humani Corporis Fabrica!