documentary
I’ve never seen a documentary quite like Alexander, that started off so strong and vividly emotional…
We take a look at two documentaries from the Camden International Film Festival that have a connection to nature.
Youth (Spring)’s 3-plus hour length is not only necessary, but an absolute gift to sit through.
For the 2023 Toronto International Film Festival, Wilson Kong reviews Craig Gillespie’s Dumb Money and Margreth Olin’s Songs of Earth.
At this year’s Melbourne International Film Festival, Sean Fallon reviews Hello Dankness, Biosphere and Art Talent Show!
King Coal is a rare work of art that manages to look forward precisely by looking backward.
Unspooled like a true crime tale, Satan Wants You writes an origin story for this salacious, sensationalist phenomenon.
A quiet, poignant, and moving documentary, The Deepest Breath is unforgettable.
Have You Got It Yet is a vulnerable and intimate look at the rise of a band and the fall of a genius.
Lynch/Oz is a very film 101 documentary, one which aims to open doors for the performer, lover, and cinema enigma that is Lynch.
While Minted presents intrigue in both the product and the artists behind them, it struggles to become a cohesive unity of art and information.
The Space Race captures the journey of space flight though the unrelenting spirit and resilience of the black community.
Common Ground is deeply impactful, becoming the vital eye opening documentary it needs to be.
From Tribeca Film Festival Payton McCarty-Simas pairs two films, one an ode to midnight movies past, with another paean to movie obsessives.
There’s lots of potential in Taylor Mac’s 24-Decade History of Popular Music, but only Taylor Mac fully lives up to it.