documentary
Musanna Ahmed attended this year’s Sheffield Doc/Fest and reviews some of the highlights: Minding the Gap, McQueen, and more.
We were able to speak with Adam Sobel, director of the documentary The Workers Cup, focusing on labor camps in Qatar in preparation for the 2022 World Cup.
As the 2018 World Cup quickly approaches, The Workers Cup serves as an uncomfortable reminder of the humanity behind one of the world’s most beloved sporting spectacles.
Alex Arabian spoke with T Cooper, writer and director of the documentary Man Made, which focuses on the subject of trans men bodybuilding.
We got to speak with Donna Zaccaro, director of the documentary To A More Perfect Union: U.S. v Windsor.
Afghan Cycles is a true and authentic journey, filled with moments of pure happiness and heartbreaking sadness.
Inka Achté’s documentary BOYS WHO LIKE GIRLS chronicles the efforts of an organization in India to educate boys and men on pressing gender-based issues.
Boys For Sale dives into the world of the urisen (also known as “boys”) that are paid to have sex with other men. Brought in by the allure of a high paying part-time job, urisens have to learn to navigate the industry as they go.
With the world getting stranger and scarier by the day, Glossary Of Broken Dreams could have been a useful resource — a helpful primer when current events appear to be beyond comprehension. But it is not that documentary.
While Love Always, Mom waves a large price tag in the eyes of its viewers, it is an engrossing film that shows a hope in the depths of darkness while displaying the benefits of sheer determination and will.
Stephen Maing’s documentary deals with corruption and institutional racism in the NYPD – and recognises the police officers who are fighting a court case to help stamp this out once and for all.
Matthieu Rytz’ documentary Anote’s Ark aims to explore the personal cost of climate change, that remains ignored by politicians internationally.
Kristy Strouse reviews the inspirational documentary Bethany Hamilton: Unstoppable that premiered at the Tribeca Film Festival and shares her interview with director Aaron Lieber and producers Penny Edmiston and Jane Kelly Kosek.