documentary
Impetus is a film for those dedicated to the filmmaking craft, and the unconventional ways it can be molded to create unique means of storytelling.
Murder Mountain is a fascinating insight into unique communities, unexplored lands, and disenfranchised voices – and isn’t that the point of a documentary in the first place?
The Story of Roger Ailes may be straightforward and a bit lacking in stylistic direction, but it’s a rather necessary look at one man’s life to help understand today’s politics.
Pick of the Litter is a sweet and simple film about animals that doesn’t place any of them in peril – so it’s pretty much a winner.
Bob Lazar: Area 51 & Flying Saucers takes for face value the fact that UFOs exist is the least of its problems – the poor quality of filming and story do far more damage at derailing the narrative.
Trust Machine: The Story of Blockchain from director Alex Winter is a ride worth taking and asking how will you imagine the world.
The Owl’s Legacy never offers easy answers or revelations, but a constant exploration, which makes it an ideal pedagogical tool.
The Truth About Killer Robots is an essential part of the ever-evolving debate as to where our civilization currently is, and where it may ultimately be heading.
Matthew Roe interviews Maxim Pozdorovkin on his latest foreboding documentary, focused on artificial intelligence and automation.
The Last Race is a beautiful documentary that is, able to move between overtly stylized and ethnographic motifs while still remaining a unified piece.
We spoke with RaMell Ross, director of Hale County This Morning, This Evening, about the fluidity of documentary, the representation of blackness, and more.
Hale County This Morning, This Evening is a staggering achievement of filmmaking, and an essential American text.
The unbelieveable true story of Shirkers offers a bittersweet end to a decades long saga in the life of independent filmmaker Sandi Tan.