documentary
Hearts of Glass is a wonderful documentary that focuses both on food production and people with disabilities, housed within a tiny slice of America.
With every passing detail, We are Columbine sinks deeper and deeper into your soul, a piece of it sticking with you when the film has ended.
The Brink is a well-constructed documentary that offers a lucid view of how the Breitbart founder thinks and operates.
Be it a gripping thriller or a moving and thought-provoking social commentary, when it comes to documentaries the Glasgow Film Festival has you covered.
Musanna Ahmed looks at four documentaries from this year’s Human Rights Watch Film Festival; The Cleaners, Bellingcat, Anbessa and The Feeling of Being Watched.
Apollo 11 is a visually outstanding and remarkably visceral piece of filmmaking that pieces the much fragmented and daunting narrative together.
Rocking the Couch charts 100 years of abuse claims in the film industry, asking how far Hollywood has come since the silent era.
Female Human Animal is a unique experiment into pushing the boundaries of what is considered to be fact or fiction.
Everything about Leaving Neverland is designed to be uncomfortable, from the running time to the connection between the viewer and the film’s subjects.
1 Billion Orgasms feels like the behind-the-scenes footage that is supposed to accompany the feature presentation.
Wrestle relies entirely on familiar story beats and its subject matter, shining in individual moments but not adding up to a satisfying whole.
Michael Franti’s Stay Human is an inspiring documentary of pure positivity and something worth recommending to everybody right now.
Fire on the Hill is an inspiring journey of building, rebuilding and reinforcing a community for the black community in Compton, away from the notorious factions that gave the city a dark reputation.
2018 was the biggest year for documentaries in box office history, but some gems still fell by the wayside. Asher Luberto recommends some overlooked docs.
In our seventh report from Sundance Film Festival 2019, we cover Hail Satan?, Luce, Adam, Sweetheart and Corporate Animals.