documentary
With Frida and Gaucho Gaucho, we gain perspective into an iconic Mexican artist and an Argentine community upholding decades of tradition.
For Monro’s Kubrick on Kubrick, decoding Kubrick’s films with the director’s own words serves as an excellent chance to write his own artful tale
Apolonia Apolonia manages to paint a fairly engaging portrait of an artist discovering the intimate balance between success and her freedoms as an artist.
The League provides some much-needed context acting as a reminder of the conflicted roots within our nation.
Las Leonas depicts what happens when the power of sport meets the fortitude of women: not miracles, no, but still something beautiful and worth celebrating.
“There was nobody but me who knew as much as I knew, and so I…
Only In Theaters is a love letter to film – a history lesson, the biography of a legacy – showing a love for its subject and the art form of film.
The Mad Writer is a testament to the resilience of the human spirit and offers an intriguing, personal glimpse into one individual’s crossroads.
Joan Baez is not without her flaws and shortcomings, but the noise she made with the song of her life continues to reverberate through time and space.
I’ve never seen a documentary quite like Alexander, that started off so strong and vividly emotional…
We take a look at two documentaries from the Camden International Film Festival that have a connection to nature.
Youth (Spring)’s 3-plus hour length is not only necessary, but an absolute gift to sit through.
For the 2023 Toronto International Film Festival, Wilson Kong reviews Craig Gillespie’s Dumb Money and Margreth Olin’s Songs of Earth.
At this year’s Melbourne International Film Festival, Sean Fallon reviews Hello Dankness, Biosphere and Art Talent Show!
King Coal is a rare work of art that manages to look forward precisely by looking backward.