documentary
Trust Machine is a perfect introduction into a very complex field, accessible and informative to those who are unfamiliar with Bitcoin and Blockchaining, but still enlightening to those who do.
Ask Dr. Ruth is a great reminder that a difficult past doesn’t have to dictate the future and that it’s never too late to make something of yourself.
In her second Tribeca documentary report, Stephanie Archer reviews Red, White & Wasted, Lil’ Buck: Real Swan, The Quiet One, and Sublime.
Tribeca 2019’s documentaries were a roller coaster ride of emotions. Stephanie Archer reviews The Leftover Women, After Parkland and more.
We were able to talk about Damon Gameau, director of the upcoming documentary about climate change called 2040.
Willem Baptist has crafted a documentary that feels rooted in both avant garde film and the spirit of Polaroid cameras.
Begging to be experienced, discussed, and remembered, Mosul follows a former CIA counter-terrorism officer documenting a journalist in war-torn Iraq.
The Biggest Little Farm is a gorgeous documentary on par with the raw beauty of Planet Earth or any other nature documentary.
Straight from Tribeca 2019, Kristy Strouse reviews Two/One, A Day in The Life of America, The Kill Team and spoke the cast and director on the red carpet.
Kristy Strouse spoke with Christopher Thorn and Rogers Stevens from the band Blind Melon for the Tribeca documentary All I Can Say.
Hail, Satan? neatly fits in with a series of recent documentaries that do little more than preach to the liberal choir.
Knock Down The House highlights four political pioneers, and provides an intriguing snapshot of post-2016 election America.
We spoke with the three-person directing team behind rock doc All I Can Say, Danny Clinch, Taryn Gould, and Colleen Hennessy, at Tribeca 2019.
Whether a gift from God or the vitality of technological advancements, Amazing Grace is a gift of cinematic resurrection brings back Aretha in all her glory.