documentary
Spaceship Earth is a colossal bore, a failure of documentary filmmaking.
The Grand Bizarre represents art at its most autocratic. It’s there in the imperfect stop-motion, in the spontaneous soundtrack, and yes, especially in the sneeze.
Circus of Books packs so much heart and warmth that only the coldest of souls would fail to be moved by it come the end credits.
There is a catharsis In El Father Plays Himself that is achieved through witnessing truth, witnessing the process – one that is not easily forgotten.
Musanna Ahmed reviews four more great films that he saw during CPH:DOX’s online edition this year.
How Far Is Home is a well-made documentary short film with good food for thought that doesn’t quite stick the landing.
Carl Sagan managed, in his tragically brief lifetime, to not only bring about the greatest era of interdisciplinary scientific study, but also to provide unprecedented access to science for the masses.
While it might sound dense and only appealing to a niche demographic, Ghani’s immersive record is a curiosity that will satisfy any inquiring cinematic mind.
‘It took a total of five years to complete this film’, says Jacqui Blue of…
Finding Yingying isn’t an easy watch, but this documentary is powerful in how it captures a family in their most vulnerable moments.
We review films from CPH:DOX 2020, the documentary festival that is now streaming online.
Pride & Protest is a worthwhile endeavour for viewers, presenting an interesting insight into a rarely-depicted segment of the LGBTQ+ community
In the fifth episode of Cosmos: Possible Worlds, we explore our greatest asset in the journey toward knowing the universe, the intricate galaxy within each of us: the mind.
Trixie Mattel: Moving Parts is a raw, at times agonising portrait of the contemporary reality show celebrity. Rafaela Sales Ross reviews.
Once Upon a Time in Uganda is a nice supplement to the ongoing, exciting story of Wakaliwood and the perfect thing to tie us over whilst we wait for their next awesome movie.