documentary
Alex Lines spois with director Iván Castell about his latest music revival documentary The Rose of the Synths.
Wilmington on Fire maintains its path of creating a strong and comprehensive account of the political mood of the time and the world that was left.
Despite feeling disjointed at times, Wake Up: Stories from the Frontlines of Suicide Prevention is a highly informative piece of filmmaking.
Welcome to Chechnya is likely to be the most urgent documentary of the year, but makes many exploitative missteps along the way.
James Benning’s latest work examines the ghostly spaces of human inhabitation through its austere and formalist rigour.
We spoke with Taryne Laffar about her production company: PiNK PEPPER, and the company’s major debut, the documentary, Our Law.
Film Inquiry recently had the opportunity to speak with director Matt Riddlehoover about his Johnny Cash documentary, My Darling Vivian.
Here is a look at the documentary finalists for the 67th edition of The Sydney Film Festival: Virtual Edition.
Cornel Ozies’ prescient and perceptive documentary Our Law is having its world premiere at the digital edition of this year’s Sydney Film Festival.
Musanna Ahmed spoke with director Steve Markle about his film Shoot to Marry and why this documentary was more challenging to put together than his previous one.
Dear… gives viewers a visual and auditory display of the power instilled in others when they know they are not alone.
Cineola Film Festival, celebrating Latin Cinema, will be held online by Seed&Spark on June 6-12. Here we talk about the short film block Resistir.
The buoyant mood of Kate Nash: Underestimate the Girl makes the documentary a joyous, inspirational ninety minutes.
While Tiger King is comfort food for a troubling time, we must challenge ourselves to seek out more selective comfort.
In Shawn Cauthen’s Netflix vs. the World, we witness the rise of Netflix from a fledgling startup to a producer of original content that wins Academy Awards.