documentary
Part documentary, part staged, and full of heart, this love letter to the five boroughs of New York City is an enjoyable, chaotic watch.
Beetle Queen Conquers Tokyo is comforting, emotive, overwhelming at times, and always worth the time spent giving it your full attention.
Good Trouble is bursting with inspiration powerful and essential, strong enough to be more than just a flowery portrait.
Father Soldier Son offers you the opportunity to see why people join the Army rather than padding the film with patriotism or criticism.
Showbiz Kids is a fascinating look at the life of child actors and offers unusual insight into the world of acting.
We continue our 2020 coverage of the Melbourne Documentary Film Festival with two more reviews: Man on The Bus and Can Art Stop A Bullet?
Our coverage of the 2020 Sheffield Doc/Fest’s online program begins with reviews of We Have Boots, Flint, and Me and the Cult Leader.
We spoke with Joshua Lee, director of the Australian documentary, The Fathering Project.
Bloody Nose, Empty Pockets is an immersive experience to say the least. It’s a bold cinematic achievement and fine work of deception.
Mucho, Mucho Amor: The Legend of Walter Mercado felt like it was a documentary stuck between a rock and a hard place.
Alex Lines had the chance to talk with co-director Justin Feltman about his documentary Hamtramck, screening at Melbourne Documentary Film Festival.
The Fathering Project turns passion into poetry in the pursuit of finding what it means to be a father in today’s society.
Inmate #1 is a powerful and poignant story with a fairy tale ending that will have you believing miracles really do come true.
Ahead of the film’s screening at this year’s Melbourne Documentary Film Festival, I had the chance to talk with director, Posy Dixon, about her documentary.
The acclaimed Melbourne Documentary Film Festival has arrived in the digital realm. Here are our selections for the top five: