documentary
Symbiopsychotaxiplasm stands in homage to the unanticipated and the experimental, unraveling the form of cinema and documentary.
Trump Card is exhausting and potentially lobotomising, especially if you are watching it out of curiosity.
In the face of hate, Gay Chorus Deep South is a shining beacon of love and an exemplary display of resilience and strength.
An ode to the importance of art that is a work of art itself, Swimming Out Till the Sea Turns Blue is yet another fascinating look at contemporary China.
The Truffle Hunters provides a unique view into a world and an industry many have little knowledge and understanding of, delivered with heart and passion.
In spite of its cutesy title, Herb Alpert Is… does attempt to flesh out the multi-faceted extent of his talents: then and now.
While City Hall has it’s ups and downs, it gives viewers a unique experience and perspective into the inter workings of Boston’s city officials.
Director Matthew Heineman takes somewhat of a left turn to document the homecoming of Colombia’s biggest reggae superstar, J Balvín.
MLK/FBI is damning of the behaviors of the FBI and its treatment of not only the leader of a revolution and the deeply rooted racism that still lingers.
Three new women-centric streaming releases examine the ways in which systemic injustice affects women.
In a world that seems to be leaning more to authoritarian power and rule, we need documentaries such as The Monopoly of Violence.
Film Title Poem, a 67-minute experimental traversal of film history, both canonical and personal, entirely by way of title cards.
Feels Good Man should be required viewing, providing an excoriating insight into the rise of the alt-right and the underlying issues that propelled it.
The COVID-19 documentary 76 Days is urgent and wrenching, unbashful in its presentation of tragedy and confusion.
Blake Collier takes a deeper look at the three Estus W Pirkle-Ron Ormond films that bookended the 1970s.