documentary
Tiktok, Boom looks at the general landscape of social media. Shalini Kantayya’s documentary explores widely but rarely dives too deep.
And while nothing expressed here is groundbreaking, Futura is nonetheless a perfect, thoughtful time capsule of the age we’re currently in.
While not perfect and often lacking the emotional punch one might expect, ED Perkins’ uniquely minimalistic approach makes it an interesting experience.
With a deep dive into the varied world of AI, A.rtificial I.mmortality isn’t a bad film, but it’s one that suffers from a lack of focus and depth.
With its more intimate scope, flawed or not, the documentary attempts to understand Brian Wilson.
In the vein of Citizen Kane, the documentary sets out on the foolhardy task of finding Dean Martin’s Rosebud: the puzzle piece to unlock what made him tick.
After watching, I feel vindicated in thinking the early 200s and the sweet spot of my childhood was one of the peaks of the Christian music industry.
What we get feels like a mixture of both fact and dramatization, which while ceaselessly fascinating, feels slightly unsatisfying.
CJ Hunt’s The Neutral Ground explores the political opposition and the debate surrounding Confederate statues across the US.
Edited from decades of footage that were self-shot by Kilmer himself, Val is an extraordinary piece of filmmaking.
The Velvet Underground wields the hands of time, recapturing and evolving into a time capsule of art within a new wave style of documentary.
Jonas Poher Rasmussen’s Flee uses animation as a form of therapy for both its central subject and the audience.
Reporting back from MIFF 2021, Sean Fallon reviews Come Back Anytime, Set!, Stray, Ablaze and The Witches of the Orient!
Homeroom is empowering and it is inspiring, bringing a fresh perspective to the events of 2020 and to the future.
Politically charged and historically conscious, Chris Marker’s fertile imagination makes him one of the cinema’s most transcendent artists.