documentary
Michael Chang was a pioneer among Asian Americans in professional sports, and he did it at such a young age.
Witches may not be the most talked about film at this year’s festival, but it is certainly the most vital.
Made in England: The Films of Powell and Pressburger is a fitting tribute to the preeminent magicians of the movies.
How I Roll is not just for those familiar with the difficulties of MS, but those who wish to see how the human heart can endure and continue to thrive.
My Sweet Land is a somber warning call that its events are not contained in one place or time, they are the story of humanity.
They’re Here will struggle to connect to its audience, too often feeling as though it is attempting to only reach others whose experiences matches its own.
From Tribeca Film Festival 2024, Soham Gadre takes a look at CHAMPIONS OF THE GOLDEN VALLEY, BAM BAM: THE SISTER NANCY STORY & THE WEEKEND!
Children in War contributes a clear-eyed, disciplined, and eloquently forceful rejection of every lie and excuse ever conjured for the justification of war.
Reading Rainbow cultivated an environment that was safe for kids and equally empowering — it engendered curiosity.
Curl Power has a deep awareness of the bonds of sisterhood that exist between the girls, yet is clever enough to also understand their individuality.
Soham Gadre takes a look at the Museum of the Moving Image’s “First Look” Series!
Bottle Conditioned is a fresh documentary about a beer known for being aged, and I recommend pairing it with a glass or two for yourself.
In this SXSW report, we take a look at two female-driven titles: An Army of Women and We Were Dangerous.
My Sextortion Diary, the hour-long documentary that arose from Franquesa’s harrowing experience with digital blackmail.
Like any really good yarn, Secret Mall Apartment has one truly weird story to tell you.