In the first part of Trash Caviar in which Julian Rosenthal inspects the finest of trash, he recalls Nicolas Cage’s off-the-wall character in Bad Lieutenant: Port of Call New Orleans.
Tarkovsky’s Ivan’s Childhood, perhaps more than any other film, shows the complexities of dreams, here shown through the eyes of a childhood experiencing the trauma of war.
The brilliance of some movies just isn’t evident on a first viewing, whether it be due to our age or the film’s density; here are some that needed a second watch to fully appreciate.
The Disaster Artist is a troubling film given the recent allegations against James Franco, especially when we look at one scene in particular when Franco’s Tommy Wiseau abuses his power as a director.
Both Ed Wood and Tommy Wiseau are renowned for their truly bad movies; two later films attempted to uncover the depth of their enigmatic natures: Tim Burton’s Ed Wood and James Franco’s The Disaster Artist.