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From The Pleasure of Being Robbed to Uncut Gems, the hectic, chaotic cinema of Josh and Benny Safdie is instantly recognizable as no one else’s but theirs.
Flicker Alley’s new two-disc Blu-ray release of The Bolshevik Trilogy is a quality set that provides an ample education on the art of film and the act of rebellion.
With his newfound Oscar glory, Bong Joon-ho’s earlier filmography is ripe for rediscovery, and a beginner’s guide to his career all the more relevant.
Wilson Kwong spoke with Sally Potter during Berlinale back in February, about her new film The Roads Not Taken and the personal life events that inspired its story.
We sat down with director Levan Akin and star Levan Gelbakhiani of And Then We Danced and talked about dance, directing intimacy on screen, and more.
The director (Yeung) and cast of Suk Suk (Tai Bo, Ben Yuen, Patra Au) sat down with Film Inquiry to talk about the film when it was shown at the Berlin International Film Festival.
Prolific German documentarian Thomas Heise returns with Heimat is a Space in Time. We spoke with the director ahead of the film’s release.
Portrait of a Lady on Fire has brought Sciamma to the fore of the international scene – take this opportunity to explore her older, equally masterful films.
During Sundance Film Festival, Kristy Strouse spoke with writer, director and star Linas Phillips about the process and concept of The Ride.
In this extensive interview, Musanna Ahmed spoke to Minhal Baig about audience preconceptions of Hala, portraying the diaspora, her family’s response, Ms. Marvel and much more.
Ahead of Go!’s Australian theatrical release, we had the chance to talk with Owen Trevor about his new film Go!, how his experiences with Top Gear informed his approach to his feature-length debut and the influence of video games in his professional work.
We were able to talk with director and actor Kevin Alejandro about his short film Bedtime Story, running his own production company, balancing it with his acting work and what the future holds for him.
Film Inquiry spoke with director Flavio Alves about The Garden Left Behind, the sociopolitical implications of the story, the significance of his creative and casting decisions, and the universality of the narrative.
François Ozon attended the Chicago International Film Festival to promote By the Grace of God . Here’s what he had to say about the film, its reception, and its relationship to his career and life.
We spoke with Alejandro Landes, director of the critically successful Monos – he highlights the importance behind the story he tells and speaks about his filmmaking decisions.