Diane Keaton
Unable to truly lean into its moments and potential for humor and heart, Maybe I Do is a big don’t.
With their relationship at a crossroads, Michelle and Allen invite their parents to meet. But their parents already know each other, a little too well.
Warren Beatty’s Reds may be the final prestige picture that ideologically represents New Hollywood. Read our retrospective review of the 1981 epic.
Poms might be predictable, but it makes up for it with tons of heart about this team of elderly cheerleaders. Marc Ricov reviews.
Poms is a comedy about a group of women who form a cheer leading squad at their retirement community, proving that you’re never too old to ‘bring it!’
Uniting four legends of the screen for a shot of summer silver screen cinema, Book Club is every bit as formulaic, disposable and harmless as you would expect.
It’s easy to hold the moral high ground and dismiss works created by awful people. But, as Jacqui Griffin writes, rejecting one of your favourite films (in this case, Allen’s Annie Hall) on these grounds is easier said than done.
Hampstead offers nothing new in its tired-out genre, serving up uninspired writing and bland direction against a British backdrop.