Denmark
From Cannes Film Festival, Wilson Kwong reviews
Magnus von Horn’s The Girl with the Needle and Agathe Riedinger’s Wild Diamond.
By the final image of The Promised Land, we’ve been taken on an epic adventure, and in our heart of hearts, we are sated by the sweep of it all.
Club Zero is often disturbing and always engaging, but it’s certainly not for everyone.
Apolonia Apolonia manages to paint a fairly engaging portrait of an artist discovering the intimate balance between success and her freedoms as an artist.
What results is an engrossing, often painful, always warm portrait of the challenges of wanting to make art in a world hostile to the prospect.
The London Film Festival rolls on. Our latest review round-up covers stories of real life…
In our first report from the 2022 Heartland International FilmFestival we give you a taste of the festival!
The 48th Seattle International Film Festival continues, rain or shine, and for Film Inquiry’s second…
In our latest report from Sundance Film Festival 2022, Wilson Kwong reviews Fresh and Worst Person in the World – both films demanding attention.
You’ll definitely laugh, and you might cry, too; whatever the case may be, you’re guaranteed to be moved by Trier’s empathetic storytelling.
Jonas Poher Rasmussen’s Flee uses animation as a form of therapy for both its central subject and the audience.
American Sausage Standoff is a with a memorable visual style and strong performances, but the humor never takes centerstage.
Grímur Hákonarson’s The County follows an Icelandic widowed farmer as she fights beauracratic corruption and injustice.
Luke Parker speaks with star Mads Mikkelsen and writer-director Anders Thomas Jensen about their latest film together, Riders of Justice.
Musanna Ahmed takes a look at four films in our first installment of coverage at Denmark’s 2021 CPH:DOX Film Festival.