demons
News that Robert Pattinson and Parker Finn are developing a “Possession” remake drew criticism from feminist horror writers and critics.
Blake I. Collier takes a deep dive into the ways films explore dementia and turn it into a source of horror with varied results.
The Lodge is inventive, it’s clever and it’s pretty damn spooky. If you’re a horror fan, don’t let this one slip under the radar.
With a talented and diverse cast, chills coming from the darkest corners of television and unending potential, Evil is definitely the one to watch.
While it may stumble under the weight of its own plot, Recovery is flawed, but it’s fun with moments that are really worth checking out.
There’s smart comedy, earnest romance, poignant drama, and visuals to dazzle even the most superhero-addled of viewers. Let’s talk about Good Omens.
The 27 Club is a cheaply made streaming title with little to no thought put into it – there was a seed of an idea here but nobody to tend the garden.
This Australian horror has languished in obscurity for years, but a new restoration by Second Sight should make it the genre classic it deserves to be.
To call it a complete misfire would be unfair, but The Harrowing promises such supernatural offerings only to deliver a bland, soft-focus thriller with none of the scares.
Vidar the Vampire shows the lack of change within the filmmaking community in regards to the portrayal of women on screen and further proves the necessity of the #MeToo movement.
With no clever jokes and not enough scares to build any real suspense or fear, The Night of the Virgin falls flat.
Demon House has a crawling sense of escalating paranoia, with witness accounts and medical testimonials, Zak Bagans presents a documentary that will have you believing this just might have happened.
The Insidious franchise has quietly grown to be one of the most impressive and contemporary horror- and Insidious: The Last Key is another solid entry, despite the January release date.
Evil Dead 2 succeeds in finding the twisted humor within the horror genre and makes the film a memorable exercise of cartoonish entertainment.
Flatliners is a terrible remake of an already bad movie, whose basis is genuinely interesting but the vision poorly conceived.