David Michôd
Amanda Mazzillo rounds up the late night films with reviews of The Lodge, In Fabric, The King and Parasite from SCAD Savannah Film Festival.
While it does contain so interesting moments to keep you attention, The King is not worthy starting in the first place.
A newly crowned king must navigate palace politics, the war his father left behind, and the emotional strings of his past life.
The King may not be Michôd’s best by any means, but with strong performances and cinematography, it’s a strong effort nonetheless.
In part due to overly pushy satirical agenda and an awkward performance from Brad Pitt, War Machine is a failed attempt at a modern war film.
War Machine is Netflix’s potentially unpopular war satire, taking jabs at America’s strategy in Afghanistan while troops are still fighting.
Here at Film Inquiry, we were quite excited about The Rover. The trailer looked very promising; moreover, the movie was directed by famous and notorious director David Michôd. Famous for his hauntingly emotional scripts, notorious for the amounts of violence he tends to feature.
David Michôd’s upcoming drama The Rover looks, in a word, bleak. Set ten years after a global economic collapse, The Rover tells the story of Eric (Guy Pearce) an embittered ex-solider hellbent on tracking down the gang who stole his car – the last of his worldly possessions. Along the dusty path to retribution, Eric encounters Reynolds (Robert Pattinson), the discarded brother of one of the gang members.