David Gordon Green
Believer wields the Exorcist saga poorly by vomiting so much at the screen and leaving little more than a mess of themes and characters.
Sequel to the 1973 film about a 12-year-old girl who is possessed by a mysterious demonic entity, forcing her mother to seek the help of two priests.
Halloween Ends and the druid-focused Halloween: The Curse of Michael Myers bear more similarities than immediately expected.
The first 90 minutes of David Gordon Green’s Halloween Ends easily outweigh most of the films that have come before it.
The saga of Michael Myers and Laurie Strode comes to a spine-chilling climax in this final installment of the franchise.
David Gordon Green’s sequel to Halloween, Halloween Kills, is an aggravating, unnecessary, and horribly misguided feature.
An injured Laurie Strode leads a vigilante mob to hunt down unstoppable killer Michael Myers and end his reign of terror once and for all.
Halloween ends strongly, which always helps, but the picture lacks imagination in too many other areas to have any lasting impact.
In Halloween, Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree four decades ago.
Stronger is a resolute, powerful, and personal film that applies to the masses of the world, not just to Americans.
Here is an interesting thought: Al Pacino is having something of a career renaissance. His last three major roles, including this year’s Manglehorn, are as far away from the go-to gangster’s early movies as can be.
“These men who bust their asses work like dogs. And I believe in them, but every day they hurt. They get old, they peel back…