Dan Trachtenberg
Prey offers an excellent example of less being more, especially in a series long known for its over-the-top dialogue and gory violence.
A skilled Comanche warrior protects her tribe from a highly evolved alien predator that hunts humans for sport.
The inner urge for survival is the most primitive of all impulses. For the longest time, sex was believed to be the driving force that pushes people, unconsciously and fully-cognizant, towards certain results in life. But after WWII especially, psychologists and holocaust survivors began to revisit the idea, and psychoanalysts took the obvious cue from Darwin:
A quick internet search confirmed that I’m not the only one sitting around wondering if 10 Cloverfield Lane is a true sequel to Cloverfield. I would personally lean towards a “no” answer, as the film began life as a standalone script and it shares no writing or directing credits with the original film. What seems to have caused all the confusion is the odd machinations of film financing, wherein a small label owned by Paramount Pictures folded and the project not yet called 10 Cloverfield Lane ended up with the company that made Cloverfield.