Daisy Ridley
“Young Woman and the Sea” proves it could be a serviceable movie but not strong enough to escape the routine assembly of the genre’s trappings.
As an action film, Chaos Walking works, it’s a fun popcorn flick, but It’s a pity most of these characters can’t stop talking.
Two people, in a dystopian world where men’s thoughts are fully heard and the women are all but non-existent, on the run from a villainous mayor.
Star Wars traffics heavily in the tropes of “the hero’s journey,” and it has a rather neat analog in the patterns of Jewish immigrant literature.
As the decade closes out, the push for female centric films and depth seems to be far from waning. These are some of the best female characters of the 2010s.
It’s hard to predict how The Rise of Skywalker will age once the initial shock wears off, but if anything this is a reminder to support independent filmmakers and those willing to challenge the status quo.
Told from a female perspective, and benefitting from a seminal performance by Daisy Ridley, Ophelia rewrites history in a more favorable light.
Star Wars Episode XI: The Rise of Skywalker is the final chapter in the Star Wars sequels trilogy and will see the return of some old characters.
Led by a sheepish Daisy Ridley performance, Ophelia, a revisionist take on Hamlet, doesn’t have the feminist credentials it thinks it does.
The Last Jedi is a polarizing film, but looking deeper into Rian Johnson’s vision you will find some potent themes, including the failures of masculinity.
If you are looking for the best film of the saga, Star Wars: The Last Jedi is not the film you are looking for.
Otto Bell’s documentary The Eagle Huntress is empowering – even if it does frequently feel staged or exaggerated for dramatic effect.
The cyclical nature of contemporary pop culture means that for every blockbuster released, a backlash is likely imminent over the course of its opening weekend, no matter how good the reviews. JJ Abrams knows better than anybody about the perils of falling victim to the hype train; despite critical and commercial success, mere weeks after its opening his Star Trek sequel Into Darkness was voted the worst Trek film of all time at a leading Trekkie convention. Taking fanboy rage on the chin, he has decided to follow this minor outrage by taking the directorial reigns of the new instalment of one of the most beloved franchises at all time, as audiences worldwide wait with bated breath to see whether or not he has (to use a common expression) “raped their childhood”.