cult classic
Malignant embraces the true cult sensibility that M3gan only gestures to, serving up a wildly entertaining and singular cinematic experience.
Wim Wenders’ 1984 cult classic Paris, Texas creates a convincing and melancholic pastiche of the frenetic nature of nostalgia.
Spring Breakers may be much more profound of a film than initially thought, lucidly expressing our fascination with money and violence.
From Forbidden Planet to Frogs, there’s nothing like a good ole sci-fi/horror picture. But among all my beloved flicks, Killer Klowns From Outer Space reigns supreme; it also happens to be this film’s 30th anniversary.
Both Ed Wood and Tommy Wiseau are renowned for their truly bad movies; two later films attempted to uncover the depth of their enigmatic natures: Tim Burton’s Ed Wood and James Franco’s The Disaster Artist.
Albert Brooks’s cult classic Lost in America is not just one of the funniest films of the 1980s, but a subtle examination of perspective, too.
It’s become the norm to watch bad movies to make fun of bad movies, but why don’t watch them just because they’re a ton of fun?
Holiday Horrors provide a comforting alternative to the forced gaiety of the season – and Black Christmas is one of the best to watch.
‘So Bad They’re Good’ movies are a thing now. Movie list websites are awash with them. Troll 2 is often the high-watermark, and it appears that most of these no-budget horrors tend to be of American origin.