The article explores how social media has transformed film criticism, diminishing the dominance of professional critics and amplifying audience voices.
We take a look at the sexualisation of the women in Mad Max: Fury Road and Thelma & Louise, two feminist films – not to vilify, but to offer insight into their subliminal messaging.
Have critics been too easy on Phantom Thread? Emily Wheeler examines how the tenets of auteur theory may be causing some viewers to overlook the film’s underdeveloped women and generic clumsiness.