crime
Tatort: Streets of Berlin is a crime show with collaborative efforts across regional television studios in Germany, Switzerland, and Austria.
Rough around the edges, yet an extremely engrossing character study, Danny. Legend. God. acts as a relevant cautionary tale of an unchecked ego.
While the notoriety of Ted Bundy may live on in infamy, Ted Bundy: American Boogeyman will not.
Les Diaboliques’ intriguing and twisting story will keep you guessing, entertained and horrified, while showcasing the craftsmanship behind the classic.
While it is less gory, especially in the film’s conclusion, it leaves a twist and an ending that speaks to the possibility of more films to come.
Naked Singularity tries to connect the legal and sci-fi elements of its story but ends up not quite capturing either aspect of the film.
Ryan Andrew Hooper’s The Toll is a Welsh Western that takes its cues from Clint Eastwood’s Unforgiven and flips them on their head.
On it’s 25th anniversary, Orson Welles’ oeuvre The Stranger towers over the thrillers with which it’s so often been unfairly bundled over the years.
Based on Hannelore Cayre’s novel, Jean-Paul Salomé’s La Daronne – Mama Weed in the U.S. – is a dark comedy about a translator-turned-queenpin.
With No Sudden Move, Steven Soderbergh has crafted a fun and twisty neo-noir that makes the best of its ensemble cast.
It’s far from perfect but Zola delivers strong performances, visual language and sound design to make something unique and alluring.
F9 keeps to what the series does best: absurdly fun action and time spent with a family you root for, but it’s not the smoothest ride of the series.
While this remake may not be the first film that comes to mind this Father’s Day, it is an enjoyable horror film that lends itself to multiple rewatches.
Ryan Reynolds, Samuel L. Jackson, and Salma Hayek return in the crime-comedy, The Hitman’s Wife’s Bodyguard.
Cruella is a welcome return to the good, dark, bold filmmaking that we haven’t seen in a long time from Disney.