crime
Graham Moore’s “The Outfit” relies heavily on a charming performance by Mark Rylance but can’t tie together its many loose threads.
With artistic interpretation, it finds the perfect balance of suspense, intrigue, and cliffhangers to make you want to come back for more.
KIMI derails a scintillating premise with a routine thriller that is on its surface efficiently executed but belies the clever psychological start.
Unnecessary and poorly planned out, Texas Chainsaw Massacre is a sequel easily dismissed, the power of what made the original clearly forgotten.
On this Away From the Hyper, Sean Fallon takes a look at the 2006 horror-comedy Snakes on a Plane!
Following in the footsteps of a long line of road movies, Queen & Slim takes the genre in a new direction, adding its own original flavour.
Combined with Vaughn’s ability, there’s a genuine surprise to this entry that may make this the best of the series.
Thus far, Marvel and Disney’s Hawkeye is proving to be an entertaining romp that doesn’t feel as bound by the MCU timeline.
Klem shows that Dutch series sometimes have a better start than award-winning American series like Breaking Bad. In short – Klem is a must-see.
Ridley Scott’s House of Gucci is a biographical crime-drama about the woman who put a hit out on her ex-husband, Maurizio Gucci.
Between its seemingly inconsistent mythology and a confusing timeline, Double Walker forces the audience to work harder to appreciate its strengths.
Film Inquiry spoke with director Evan Jackson Leong for his film Snakehead.
House on Haunted Hill is a classic in its own right, exhibiting the ability for horror to remain timeless.
The Many Saints of Newark, a prequel film to The Sopranos, never quite reaches the heights of its television show predecessor.
A bloodbath cleverly executed through its gore, narrative and technical execution, Malignant is the horror film of the year, one that promises a terrifying and demented edge-of-your-seat experience from start to finish.