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Chungking Express: the film that will remain young and beautiful until the end of time.
As a cinematic time capsule, A Woman Kills is worth (re)discovering… even if its most problematic aspects should be taken with a large grain of salt.
Ted K remains interesting because of Copley’s performance and the fact that Kaczynski is a fascinating persona in and of himself.
An imperfect yet still intriguing debut feature, Old Town Girls signals Shen Yu as a director to watch.
Violent Night is a worthy addition to the Christmas action-comedy lineup, but its sizable helping of blood and gore isn’t enough to make it truly stand out.
While Wednesday is not without its flaws, this young adult rendition of the Addams Family eldest is both entertaining and intriguing.
The Silencing is an American thriller film from 2020 from Belgian director Robin Pront and starring Nikolaj Coster-Waldau.
This is a series that really elevates in its dialogue and writing, but is sold by amazing performances from Domhnall Gleeson and Steve Carell.
An impeccably crafted puzzle box of a film, Decision to Leave cements Park Chan-wook’s place in cinema as our modern master of suspense.
Little Odessa is not only a sobering look at a first generation Brooklyn family, but is also the best gangster film you’ve never heard of.
Without Gandolfini, without any sort of revelation, we’re left with a movie that sort of resembles The Sopranos but feels more like a cheap knock off.
Hinterland’s high concept is let down by a weak script that doesn’t make the most of the film’s intriguing setting and talented cast.
The London Film Festival rolls on. Our latest review round-up covers stories of real life…
The London Film Festival is back for another year and our first despatch covers a military coup and, just maybe, one of the great scenes I’ve ever seen.
In our first report from the 2022 Heartland International FilmFestival we give you a taste of the festival!