crime
Gold features a flashy performance by Matthew McConaughey, yet the remainder of the film surrounding him fails to impress.
Imperial Dreams is a statement and truly is a cautionary tale, though not without hope – and, more importantly, stark realism.
Live by Night is the next directorial effort from Ben Affleck, in which he also stars/writes/produces; it is another indicator of his talent.
With a series of incredibly eclectic films, the Death Wish franchise is one of the most unique action franchises to ever exist.
Chapter & Verse is another strong reminder that stories about black lives must continue to be told—even if it treads familiar ground.
Get the Girl is an action movie that is obsessed with the idea of an action movie, but not with actually being one.
Sleepless is a thriller that occasionally seems passable and avoids some clichés, but still doesn’t quite achieve the level it could have.
With little of the humor and spark that made the original a Christmas classic, Bad Santa 2 is a misconstrued disaster for all involved.
The Grifters is a films which has largely been lost through time; here, we explore why it might be worth revisiting.
Come, Sweet Death is an Austrian film from 2000 that, though grim and darkly funny, might be the perfect representation of the country.
Anonymous is a film based on computer hacking, yet, with a less than subtle focus, it feels much like a tamer version of the show Mr. Robot.
Strangers on a Train is one of Hitchc*ck’s famous works – using only camera techniques and visuals, it successfully conveys a chilling story, and achieves its horror with less than blood and creepy props.
If you are looking for a pleasurable and visual exciting crime thriller from a cinematic legend, you should definitely give Dog Eat Dog a try.
Over at our official Facebook page, we are currently posting daily film recommendations with each week being a different theme. This week’s theme is the films of American director Don Siegel. Beginning his cinematic career making montage sequences for Warner Bros (most notably the opening of Casablanca), Don Siegel is quite an influential American auteur, redefining the sci-fi and crime thriller genres throughout his lengthy career.
One of the most poisonous societal ideals is that of masculinity. There’s nothing wrong with being proud of one’s manhood. But there is much terribly wrong with convincing boys and young men that their masculinity is marked by not showing emotion, never admitting to any abuse they may have experienced, or forcing them into a space where they feel their only option is physical violence versus confronting their rawest emotions.