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Straight Outta Compton brilliantly displays the legendary gangster rap group N.W.A., and masterfully captures their world.
John Waters’ 1974 camp comedy pushed audiences out of their comfort zones, via a raucous celebration of queerness at its most unconventional.
Basically, Despicable Me 3 is a lackluster reworking of what worked in the previous films, with more jokes and less heart.
This insightful, genre bending thriller shouldn’t slip under the radar- it should transform Victor Almanzar to an in-demand screen presence.
The excellent performances by Weisz and Claflin sadly don’t make up for the fact My Cousin Rachel is boring to the point of tedium.
Baby Driver is a joyous summer film, an indelible sugar rush that is further proof that Edgar Wright is the true saviour of popcorn cinema.
Rough Night starts weak- but with a decent amount of laughs and a deconstruction of gender tropes, it soon becomes a breath of fresh air.
Told in reverse order, Shimmer Lake is a fresh take on a murder mystery, and also sports some fine performances from usually comedic actors.
Though with a fine, understated performance by Marilyn Manson, Let Me Make You a Martyr is too unrelentingly dark and dull to recommend.
Pickpocket (1959) is an intricately staged, intimate character study from Robert Bresson – solidifying itself as one of his greatest works.
Martin Scorsese’s career so far spans five decades – which films of his should you start exploring first? This is an in-depth guide to his amazing work!
Michelle Sabato, an Italian American herself, takes a closer look at The Godfather, and what “family” means to Italian Americans.
Brace yourselves, for Australian horror Hounds Of Love is the most terrifying torture porn film since the genre’s inception.
Other than strong performances, Deny Everything is mostly unsuccessful, due to an uneven story-line, poor camerawork, and jokes that fall flat.